Minari’s Daring Hope
Years ago, one of my Korean-American friends told me how exasperated she was with Korean-American stories. “They’re so depressing. They’re always about loss. What are we supposed to do with all that sadness?”
It’s almost as if writer/director Lee Issac Chung were eavesdropping on our conversation when he made Minari, as if he came along years later to answer that question for us.